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We'll release a new Beta 6 with reworked Trim and Adjust speed window next week.

Looking forward to some of your work that illustrates your critique of Mark's work. Kieron

An AV I made for Emily Wailes who plays Rachel Lynde in the local theatre company production - Anne Of Green Gables.

Nicely done Mark I expect Emily will be thrilled with it

This is a local waterfall I visited this week with my infrared camera.

Well done Mark Did you have the text beforehand and shot specifically for it, or (as I have done more than not) picked the pics to match the text? If that was you doing the narration, then you have a good voice for it. Nit-picking - I prefer landscape mode🙄 Jim

Cologne/Koln Cathedral. Begun in 1248, the building of this Gothic masterpiece took place in several stages and was not completed until 1880. Over seven centuries, its successive builders were inspired by the same faith and by a spirit of absolute fidelity to the original plans. Apart from its exceptional intrinsic value and the artistic masterpieces it contains, Cologne/Koln Cathedral bears witness to the strength and endurance of European Christianity. 4711 - Original Eau de Cologne - the origin of the fragrance genre Eau de Cologne. At the end of the 18th century, the merchant and company founder Wilhelm Mülhens took the fragrance market by storm with his Eau de Cologne, now known as "4711 - Original Eau de Cologne". The old 4711 house was completely destroyed in the war in 1943, as were the factory facilities in Cologne-Ehrenfeld. In the 1950s, the production facilities in Ehrenfeld were rebuilt. In 1963, the current new building Glockengasse 4 was constructed in a neo-Gothic architectural style and is adjacent to the Cologne Cathedral in the courtyard. The video is made of 3 images made into an audio visual then combined in PTE AV Studio with music added.

Yes, there is a clear distinction between photography and video, but in my view the gap has narrowed considerably in the digital era. This is particularly evident in 360-degree photography, where a single captured image can be reframed in post-production and transformed into a video that reveals multiple angles and perspectives. The boundary between still and moving images is no longer as rigid as it once was. I’m not a recent convert to slideshow photography. I cut my teeth on slide film and analogue AV productions in the late 1980s. Soon after taking up photography, I began creating AVs using dual Kodak Carousel projectors synced to a tape recorder, projecting Fuji Velvia slides. I vividly remember spending long nights marking the tape by hand to cue the advance of the image in a second projector. While I never reached the heights of national or international exhibitions, I regularly entered local city competitions and remained deeply engaged in the craft of audiovisuals. Working in IT sales and service with Compaq during the rise of digital technology, I readily embraced the shift to digital photography. I even spoke at local camera clubs about what I called the “gorilla in the room” or "the snowball rolling down the mountain" - the inevitable transition to digital and what it meant for photographers. A few years ago, I developed an interest in videography through commercial drone projects, and this gradually became part of my personal artistic practice. I’m not especially motivated by narrative or scripted storytelling. Instead, digital AV gives me the flexibility to present my imagery - primarily photography, and at times video - in a moving format that can often more effectively hold a viewer’s attention. I also regularly use a mobile camera and editing apps to create AV presentations. Ultimately, however, what I produce reflects my own subjective perspective. I understand that it may not resonate with everyone. Ciao Mark

There is a defining difference between photography and video, specifically regarding movement. The traditional dividing line is the "hard cut" between sequences, which is typical of video and cinema. Conversely, the cross-fade is the soul of what we used to call "slide shows" or "audio-visuals." These were born from analog transparencies projected via Kodak Carousels and synchronized with external control units for sound. During that transition from one slide to the next, a "third image" emerged—something incredible and ethereal. The enchantment of a true slide projection remains unrivaled by cinema and even less so by standard video. Using the mp4 format for "moving" slides today is a choice reserved for those with a refined palate. Ghulya photo etc since 1969

Denis, Many thanks for checking! Good news.

Hi, Please can you try to create project ZIP backup larger than 2 GB? 4-5 GB and unpack for checking. On Windows. Did you notice that ZIP backups are being created in V12 in 3-5 times faster than in previous versions? P.S. We're working on coming Beta 6 of V12.

Now V12 Beta 5 can create project ZIP archives larger than 2 GB.

Igor, I think there is a misunderstanding regarding the core of my proposal. I am not asking for a tutorial on the current interface (I have been using PTE for years!); I am discussing workflow architecture and development efficiency. Let’s be pragmatic. If Video Optimizer already handles complex tasks like two-pass stabilization and high-bitrate conversion perfectly, why reinvent the wheel inside PTE 12? Instead of spending years struggling with redundant code integration, you could solve the problem today with two simple moves: Logical Integration: Just as PTE allows us to define an external editor for images, add a "Send to Video Optimizer" command in the context menu. This would create a seamless bridge without bloating the PTE 12 core engine. Commercial Bundle: Offer PTE 12 and Video Optimizer as a single Pro Bundle. As users, we would much rather pay a fair premium for a unified, functional ecosystem than wait years for a built-in solution that we already have in a separate window. In 2026, a professional NLE is defined by its efficiency, not just its feature list. Let’s stop talking about how to use the current tools and start talking about how to integrate them properly. This approach saves your development time and our production time. It’s a win-win. As for the screenshots showing me basic settings or resolutions: I am perfectly aware of how the software looks and where the buttons are. The issue isn't knowing "where" to click, but the lack of a smart link between two tools that should already be working as one. Let's focus on the workflow logic rather than the interface basics. Thanks Ghulya

I think it would be helpful to add a one click photo creation like Proshow has with a wizard, or manually, as some like the quick creation as opposed to doing everything manually.