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cjdnzl

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Posts posted by cjdnzl

  1. Hi Eric. Interesting question. No I haven't. But I've had many shows projected on the same projector and in the same room over the past few years, all with sharpened images, and I've never seen any shimmering or stuttering on my shows except for that one panorama panning problem that JRR and I have reported elsewhere on this Forum. So I don't think our problem is sharpening-related.

    I know there is a danger of over-sharpening images; I always base my sharpening for PTE on a visual judgment of the results on my CRT monitor with the slide viewed at 100% magnification. I especially pay attention to fine lines or high-contrast borders in or near the sky (e.g., pesky hydro and telephone wires, when I haven't edited them out of the picture or couldn't) to make sure I don't see any haloing around them, and if I do, to scale back either the amount or the radius of the sharpening.

    I mention CRT, versus LCD, by the way, because recently JRR and I have noticed that on some shows (the one where I spotted this was one of Peter Cole's sequences) we can see banding in the sky on an LCD monitor that doesn't appear on my CRT monitor but does on my laptop's LCD, using the same video card and resolution. (I've suggested to Jim that he maybe post a new thread on this, since he discovered the problem and I confirmed it, but he and Gwen are out of town for a few more weeks so it may be a little while yet.) I almost never edit photos or display PTE shows on my laptop's LCD monitor, I use my CRT exclusively except on the very rare occasion when I'm traveling with my laptop, or if there's a power outage at home and I feel the need to do something that I can finish while the laptop battery still has a charge.) I also noted on the thread about JPG sizing and compression that banding that others on the thread were seeing in an example on their (presumably LCD) monitors, I wasn't seeing on my CRT monitor. I'm not sure why this would be, and this is rather off-topic but not really, as it might also affect one's perception of sharpening. Next time I do some sharpening of new images (I'm currently up to my elbows in old images) I'll make a point of comparing the results on my CRT monitor (hooked to my laptop) and the laptop's LCD monitor to see if that matters. If it does, I'll try to remember to post something about what I find on this thread.

    Ed,

    Most, if not all LCD panels on laptops - and a lot of larger units - display images as a 6-bit image, that is only 64 steps between black and white, and banding is accentuated because of this. Intermediate colors are dithered to recreate the effect of an 8-bit image. CRTs are analog and can handle 8, 16, or even 32-bit images with no trouble, but LCDs cannot, except for the very high-priced professional graphics units.

    Colin

  2. Thanks Lin,

    I understand what you say but the problem here is that whilst the older key remains in the registry, the new key (for video bulider) cannot be installed it seems. My theory is that if the existing key is removed from the registry, then the new key could be installed correctly. My problem is that I do not know how to identify the location of the key in the registry.

    Having said that, what is the correct method of entering the new key and, will this 'overwrite' the existing key?

    Ron

    That assumption is not correct, I'm afraid Ron. The two keys reside in the registry adjacent to each other, and the presence or not of the PTE key has no effect on the VideoBuilder key. There is no need to remove the PTE key.

    If you have the VB key, rename it to keyname.reg, and double-click the file to run it. Any file named *.reg is automatically imported into the registry no matter where the file is located in your folders.

    I realise this system of registration is confusing, but it is necessary for the key to be recognised by future versions of PTE.

    Colin

  3. For the more experienced users to create an average slide show. My current project has been 10 days and counting, and I just wondered how long it takes those of you who know exactly what your doing.

    It's a bit like 'how long is a piece of string?' - I have done a 9-minute show of about 50 slides including music in under an hour, and at the other end, a show on family genealogy took my wife and myself several days, using two monitors, one each so each could see what was doing. If you include researching music where a work was not obvious at the start, resizing and photoshopping the images, applying special effects, and sweating over getting the multi-image overlays etc. to work right, it could take weeks.

    And I guess everybody is different.

    Colin

  4. Hi Andrew,

    Never been to Auschwitz and I don't think I ever want to.

    OK,I have a different take on things. Maybe the route you prefer not to go down,but bear with me.

    If this is for a competition, I think it needs something that I feel is missing and I don't mean spellings and grammer.

    It needs to be shortened.Most of the scrolling text etc,have none, until the end and even then,much shortened.

    The images contain your message.

    It has to have impact and menace. Your pics are well seen and taken,but the backdrop of blue skys and fluffy clouds along with lush green grass

    and maintained buildings, does not convey this.

    Taking on some earlier comments,I would split the AV into 2 parts both visually and musically.

    The first part to be in Grayscale with old photos and sound effect music to give the menace.

    The second part then to portray your pictures and your selected music,to bring it into a modern context.

    I downloaded some pics today (Google) and put them to very dark sounds. This is the sort of thing I mean by way of a menacing intro to your show.

    It's a different take,but I think gives you more scope to make something more interesting.

    OK,I uploaded an intro for you to look at.First time I have tried this,so don't shout if it won't work.

    http://www.mediafire.com/?sharekey=f04d77a...621d66e282a0ee8

    Cheers,

    Davy

    I'm afraid I can't agree about those changes; they amount to a complete change of tack and a rewrite of the whole show. We must allow the author to produce the show he wants to. Thus far, the extensive criticism has all been constructive and aimed at polishing the show as it is, and it's getting fairly well polished now.

    If one wanted, one could see the blue sky and the green grass as the emergence from the terrible events that happened there, into the peace of today, and the promise that such a thing will never happen again. It all depends on your point of view.

    There is one thing you mentioned that I don't think has been covered, and that is whether there is a time limit on shows entered into the competition. Here in NZ the National AV competition has a time limit of five minutes for a show, and disqualification happens if the show runs over that time. Andrew should double-check that.

    Colin

  5. OK, This is what I consider to be the final version. I corrected the dates and the text lines and having reviewed it again and again I'm more proud of this than I can tell you.

    With the help I've had I know I have the best chance to get a place in the exhibition. THANK YOU ALL.

    If anyone wants to use it for any purpose, please feel free to do so.

    Andrew.

    http://www.mediafire.com/download.php?kknoyhz1nyn

    Oops. Sorry Andrew, there are still two mistakes I can see. First, there is still no space between April and 1940 in the first line, and as Xaver pointed out, the u in Reichsfuhrer should be a ü. You can produce this character by holding down the Alt key and typing 129 on the numeric keypad. It will not work with the regular number keys on the keyboard.

    "All that remains of Gas Chamber #1 and Crematoria #1" - this should be Crematorium #1.

    Otherwise, I think you've done it.

    Congratulations,

    Colin

  6. Great work, all images in mono would IMHO be even more evocative. I found the greens a little overcooked.

    Górecki's 3, Symphony of Sorrowful Songs might be too overpowering, but again IMHO really add to the emotion this AV. Barber's "Adagio for Strings" would also work, but is a little overused these days.

    I have the attention span of a goldfish, but this Av kept in enthralled - right to the end.

    I hesitated to comment on the music, having said so much about the text, but the music Andrew used from Schindler's List is very appropriate.

    I did think of the 1812 Overture, some of the very evocative passages in that work would fit well, specially since most of the Auschwitz victims were Russian Jews.

    Colin

  7. I wonder if this problem might be linked to false positives that occur from time to time with anti-virus programs that have reacted to PTE programs, requiring dialogue with the anti-v programmers to resolve the falses. Igor has several times needed to straighten out problems of this nature with anti-v people.

    Norton, Avast, Trend Micro, AVG, and other anti-v programs have all at various times reported such positives from PTE shows. A search in this forum on 'false positive' turns up several pages of posts on the subject.

    The thot plickens,

    Colin

  8. Hi Andrew,

    I've come to this very late in its development but I have one point to make for your consideration. It concerns the text over which you have taken so much time and accepted so much constructive comment. In it you mention three dates but your style of presenting them varies. I cannot make my own mind up as to whether the style should be the same each time (i.e. all "Month nnth yyyy" or all "the nnth of Month yyyy"). Using the same style gives consistency and precision to the text (perhaps reflecting the industrial precision that the Nazis brought to their process of genocide). Varying the styles puts your own personal stamp on the sequence.

    I don't have an answer here for you, simply a point for you to consider.

    regards

    Peter

    Yes, that's another subtle point I missed as well. Well spotted, Peter! The style of 'nnth of Month Year' is British English, where the numerical equivalent is dd/mm/yyyy, and 'Month nnth Year' is American, corresponding to mm/dd/yyyy. Depending on where Andrew is domiciled, he may like to use his country's format. (I am not sure what France and other European countries use as their date formats - personally I like the Japanese form yyyy/mm/dd, which has the advantage of being directly sortable.)

    I'm sure he will act on your suggestion when he gets home.

    Regards,

    Colin.

  9. No worries Colin, I'm more than grateful for the help.

    I've changed the font to a standard font as you suggest, and it does look better. I do love those empty fonts tho. I just have the timing on the 'credits' slide to fix and then a cup of tea is in order. :lol: I faded the credit slide also having increased its time on screen.

    Andrew

    Great, Andrew! Your change to that sentence to remove 'whose' is first class, reads very well indeed.

    I congratulate you on your willingness to accept constructive criticism, not many of us are able to do that - too much ego!

    And I missed the no-space between April and 1940 in the first line, but Maureen picked it up. Excellent!

    I would like your permission to use this show at our camera club meeting in June, if that's ok.

    Kind regards,

    Colin

  10. Me again. This show haunts me. I am from New Zealand, and our history is both very short and devoid of tragedy on this scale. Yet, this show has a powerful effect on my mood. The camera is incomparable when conveying drama, nothing else comes close, except maybe music; when powerful imagery is coupled with powerful music, the effect on the viewer is dramatic and unforgettable.

    This show is unforgettable.

    There are one or two small points about the text which for me need fixing so as not to interrupt the mood, as follows:

    In the scrolling preamble,

    line 1 reads '1940,Reichfuhrer' I would suggest removing the comma and inserting a space to make it the same style as '1940 Rudolph Hoess' a few lines below.

    Line 3 has 'initiates', should be 'initiated' to maintain past tense with the rest of the narrative.

    Line 9 has 'whos', correct spelling is 'whose' - but 'whose' is a pronoun, that is it should refer to a person. Here it is referring to Auchwitz. A better sentence construction is 'where the gates carry ...'. or maybe rewrite the whole sentence to remove 'whose'.

    After Áuchwitz II, line 3 has 'gas,shootings', but needs a space after the comma, 'gas, shootings'.

    Line 8 has 'crematoria'. If there is more than one, ok, otherwise it should be 'crematorium'.

    The next slide of the swastika is overlaid with words in a completely different font to the previous scrolling intro, and I found the much bolder non-serif font to be rather unpleasant after the serif font used earlier. You might consider changing to the same font as the intro.

    lastly, the credits slide at the end is too quick; it needs to be about twice as long, and to do a slow fade to black. Set PTE to keep the black slide until Esc is pressed, as I find the abrupt return to the desktop jarring after the sombre show. (Project Options/Main/ and tick When show ends keep last slide in show on screen)

    The above offered in good faith,

    Colin

  11. Yes, I agree with doing a correction on 'gas-shootings'. A dash used like that is actually a hyphen, joining gas and shootings as a composite word. I think what you mean is gas, shootings, etc.

    Also nit-picking somewhat, the final slide 'never again' could stay on the screen for several seconds, it is too quick as it is for my taste.

    An idea you might tuck away if you ever need it again; where you have a problem with contrast, as with the opening slide where the writing is lost against the background, is to shoot it from the other side, against, hopefully, sky, and then reverse the image to make it right-reading. You could then superimpose it on another authentic background if you want, so it is more readable.

    Otherwise a very powerful show indeed, evoking an emotional response in me. It well illustrates the latent raw power of photography.

    Congratulations.

    Colin

  12. Hi Cedric,

    I have checked this in 5.6.4 and when in pause mode it seems to take TWO presses of the left or right arrows to change direction of navigation.

    Once the direction of navigation is changed (i.e. forward to backwards or vice versa) a single press of the arrow button will continue in the current direction.

    When not in pause mode a single press in either direction will work.

    DaveG

    I should think this action is quite normal. Once a show is paused with the spacebar etc., it needs another key press to terminate the pause and continue the show. Whether this is the spacebar followed by a left or right arrow, or two presses of a left or right arrow, is optional. In other words, probably any key will terminate the pause, so you might as well use two presses of an arrow to do the job.

    Colin

  13. Hi Larry

    I think the 1024x768 which was the PTE standard eminates from broadcast television size. The native resolution of my laptop is 1280x1024, my projector is XGA and the native resolution of my laptop has to be set down to 1024x768 for it to pick up the picture signal. I size my slides to 1024x768 and they show fine on both the laptop at native resolution & the projector. The excellent quality of the PTE software gives the results, which is why it is so popular.

    Yachtsman1

    1024x768 is one of the sizes chosen for computer monitors and data projectors with a 4:3 aspect ratio. Standard PAL 4:3 TV has a pixel count of 720x576, which was never a monitor size. NTSC is similar.

    The first VGA (video graphics array) monitors were 640x480 pixels, unbelievably coarse by today's standards, soon lifted to 800x600, and then to 1024x768 which became the standard for 15 and 17 inch CRT monitors. A number of digital projectors were built for 800x600, and the better ones for 1024x768. With the advent of LCD wide screens the lid came off pixel dimensions, and now we have screens and projectors as large as 1900x1200, or perhaps even more.

    The best image display is obtained when the image dimensions match the screen or projector dimensions if you run borderless shows; if you use borders then the image/border combo should fit the screen/projector dimensions. Doing this sets up a 1:1 pixel ratio between the image and the display device, or in other words the image maps directly onto the screen/projector with no resizing, IMO the optimum arrangement.

    Colin.

  14. Late to the discussion, but here's my answers:

    <snip>

    What size slide show should I make?

    I would make the show's resolution at least 25% larger than the resolution of the tv monitor screen or digital projector to be used. I don't utilize much pan or zoom in my shows. I use it, but keep it subtle. If heavy movement is requested, I customize per image. If the show is for a client, I ask them to find out the monitor's size and resolution in advance as that will be the basis for the show. If they do not know, I suggest making the show based upon a 16:9 ratio and tell them it may or may not match the screen when played.

    <snip>

    Larry

    I am interested as to your thinking on why you make the resolution 'at least 25% larger' than the monitor/projector/TV display resolution? Doing this means the display equipment must downsize the image pixel count to fit. A 25% larger image has to be downsized by 20% to regain the correct size, a 4:5 pixel (not aspect!) ratio, by no means an integral division. The final image quality is then totally dependent on how the equipment does the downsizing - not a risk I would want to take.

    The multiplicity of display dimensions does present the show maker with problems, and I personally find that using images sized by good software to the dimensions of the projector, 1024x768 or whatever, realizes the optimum image quality.

    Colin

  15. Right here I wish to commend FlightDeck on his maintaining a civil stance in this thread. I have seen many a thread develop into a very nasty outcome with fewer differences than this one.

    Having said that, FD wrote and I quote:

    "Regarding AVI, it would have been great for WnSoft tech support to suggest using an AVI as a possible solution. However, in the absence of any response from WnSoft, it had been my understanding from other user testimonial (off-line) that the AVI has a lower image resolution than .EXE and is thus undesirable for image quality. Perhaps I misunderstood and/or this is not the case. Can you comment?"

    The outstanding characteristic of PTE is the image quality delivered in .exe files. No question that it is among the best, if not the actual best of all slideshow programmes at any price. This is the prime feature that keeps PTE devotees loyal to Igor and PTE. But there is a need for being able to run slideshows on television sets, which means .avi image files and DVDs.

    The regular TV specs for 4:3 type sets include a definition standard of 720 x 576 pixels for PAL receivers, and a slightly different standard for NTSC receivers. Reducing the pixel count from a 1910 x 1200 (is that right?) or even an old-hat 1024 x 768 monitor down to 720 x 576 represents a considerable loss of image quality, about which nothing can be done. Of course newer TV hi-definition standards deliver better pictures, but are still no match for a good monitor.

    Colin

  16. Pardon me for being political, but I think there are many users who are more interested in seeing an update to PTE that addresses the pan/zoom issues with digital projectors (discussed here http://www.picturestoexe.com/forums/index....showtopic=9354) than are interested in seeing some new photos on the website. Or at the very least a response from WnSoft that acknowledges the problem and indicates that something is being done about it, rather than being ignored. Does the v5.7 bring any fixes for this problem??

    Thanks,

    KDJ

    No, I don't think I can pardon you for your 'political' stance. You are forgetting - or just do not know since you have only posted here 6 times - that the relationship between Igor and forum members is unique and valuable, and not to be undermined with sentiments such as you display with your post.

    PTE is a very modestly priced program at about $US 49 including lifetime updates, but your attitude is more appropriate to a $600 program from some giant like MS or Adobe.

    To address your apparent problem; it is quite obvious from the remarks and information presented on the thread dealing with projectors that the fault lies with certain projectors rather than PTE, so I consider you are out of order demanding that Igor 'fix' a program which has yet to be found broken.

    Colin

  17. I have had this problem, mainly at the end of a show where the last image fades down before the credits appear.

    I use a simple work-around for this, which is to insert a black slide between the two image slides where you want the first image to darken before the next appears. By adjusting the fade and duration times of the black slide you can get almost any effect you want.

    Colin

  18. I purchased the Deluxe Upgrade this past Sunday, recieved an email with the key file today, Wednesday. I cannot run it within windows (get an error message) and if I try to load it in the video builder pop up that says "Load Key" I get an error message that it is an invalid or corrupt key. The instructions I recieved are below:

    "I have attached your register key to this e-mail. Please, save the file

    to any folder, rename it to pte.key and run it to register the

    program."

    I have waited 4 days for the key for the upgrade and I cannot get it to install. Can anyone help? I am already 2 days behind on finalizing this project to DVD.

    Thanks In Advance

    AS in Peter's message, rename the file to *.reg. You can call it pte.reg, mykey.reg, whatever, but the file extension must be .reg.

    When you have done that, double-click the filename; it will run and install the key and notify you if successful.

    Using .key as an extension requires that the file be placed in the PTE folder, so when PTE is started it can see the key file and do the install from within PTE itself. It is simpler to use the .reg extension and just run it from wherever you put it.

    Colin

  19. PTE, along with other modern graphics-intensive programs makes much use of the graphics processor, the GPU, as distinct from the CPU. While your laptop may have a fast CPU, the Latitude series of Dells in my experience do not have dedicated graphics processors. The GPU functions are handled on the main board, typically with chip sets that are ok for general use, and probably DVD video, but they fall short with programs like PTE.

    The effect of this is to slow the rendition of graphics, 'losing time' with each transition, slowly causing loss of sync between sound and video.

    If this is the case with your laptop, the sad story is you can do nothing about it, other than buying a laptop with a dedicated GPU with at least 256 MB of memory, and preferably 512 MB - basically you need a gaming computer. Most desk-top machines have much better GPU performance than most laotops.

    There is an earlier version of PTE, 4.49 I think which, while it doesn't support panning and zooming of images, has much less demand on the GPU. PTE 4.49-based programs will run on practically anything. If you don't need PZR capability, 4.49 could be your answer.

    You can download it from wnsoft, and it uses the same activation key as 5.n, so there is no further expense.

    Colin

  20. Yep, me too. 'Please help' from 'Deleted member'. Clicking on the underlined Please Help took me to one of those graphics-type jumbled letters to type in a window, and saw the website was .ru - nuff said, I was outta there quick. Is there no limit to what these sorry low-life scumbags will do??

    Colin

  21. Can you tell us the model of your new laptop, and what its specifications are for the graphics processor? Unfotunately some on-board graphics processors can be somewhat slow in delivering the image to the monitor. If you have a slow graphics processor there is probably nothing you can do about it unless your laptop is able to accommodate a dedicated graphics processor card.

    Colin

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